KMB218 Musicianship 3


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Unit Outline: Semester 1 2024, Kelvin Grove, Internal

Unit code:KMB218
Credit points:12
Pre-requisite:KMB128
Equivalent:KMB237, KMB325
Assumed Knowledge:An intermediate understanding of the fundamentals of melody, harmony and rhythm, a proficiency in aural skills, and the ability to demonstrate these fundamental skills with an instrument/s and through music production / DAW tools.
Coordinators:Dominic Kingsford-Ross | dominic.kingsford@qut.edu.au
Andrea Morris-Campbell | a.morris-campbell@qut.edu.au
Disclaimer - Offer of some units is subject to viability, and information in these Unit Outlines is subject to change prior to commencement of the teaching period.

Overview

This advanced musicianship unit provides you with critical listening, analysis, representational and demonstrational skills across a broad range of music and sound. It fosters a deeper understanding of music and sound to help inform and situate your creative practice. The unit builds on the foundation aural and analytical skills introduced in Musicianship 1 and 2 which music professionals use to analyse, compose, produce and perform music. These skills will be applied to communicate your understanding of complex musical ideas in a range of musical styles, settings and practices.

Learning Outcomes

On successful completion of this unit you will be able to:

  1. Demonstrate and apply critical listening skills to your composition, production and performance of musical works in a variety of styles, settings and practices.
  2. Analyse, represent, synthesise and communicate more advanced musical and sonic concepts, using both established and emerging literacies and conventions.
  3. Apply your understanding of music theory and organisational structures to musical works in a range of styles, settings and practices.

Content

This unit addresses advanced content:

Time – pulse, beat, syncopation, polyrhythm, groupings, complex and irregular meter, tempo and subdivision; Frequency and Pitch – scales, modes, advanced harmony, simple and compound intervals, extended and altered chords, perception of groupings and frequency spectrum; Space – acoustics and psychoacoustics, stereo field, panning, depth of field; Context – music in historical, social, technological, aesthetics and performative settings; All of the above will relate to music across a range of periods, cultural settings and environments (e.g., popular music, Aboriginal and Torres Strait Islander music, non-Western music, art music, jazz, electronic and other forms).

 

Learning Approaches

This unit adopts a blended learning approach through a range of learning experiences including online and in-class lectures and workshops.

Using a combination of teacher-directed and student-led activities students will discuss, critique and co-create music and sound materials from a wide range of sources.

 

Feedback on Learning and Assessment

Your learning and assessment are supported by a range of weekly activities and tasks where you will receive formative feedback on your progress in this unit. These activities and tasks are designed to help develop the skills and understanding you will need to successfully complete assessment items. In addition, feedback in this unit is provided as generic comments posted to the whole cohort via the unit Canvas website; as feedback from peers as you investigate, discuss and resolve issues raised throughout the unit; and comments included on criteria sheets with your grade.

Assessment

Overview

In this unit there are two main assessments. Throughout the unit you will be tested on your practical musicianship skills (40%). In addition, you will be required to submit a folio of work representing your developing conceptual understanding of musicianship theory (60%).

Unit Grading Scheme

7- point scale

Assessment Tasks

Assessment: Examination

Assessment of your aural analysis and evaluation skills and, demonstration of musicianship skills and knowledge in a range of contexts will occur over the semester (a maximum of 4).

Weight: 40
Individual/Group: Individual
Due (indicative): Progressive
Related Unit learning outcomes: 1, 2, 3

Assessment: Portfolio

Folio of tasks that demonstrates your understanding of a range of concepts, practices and contexts through analysis, evaluation, and synthesis.

This is an assignment for the purposes of an extension.

Weight: 60
Individual/Group: Individual
Due (indicative): Late Semester
Related Unit learning outcomes: 1, 2, 3

Academic Integrity

Students are expected to engage in learning and assessment at QUT with honesty, transparency and fairness. Maintaining academic integrity means upholding these principles and demonstrating valuable professional capabilities based on ethical foundations.

Failure to maintain academic integrity can take many forms. It includes cheating in examinations, plagiarism, self-plagiarism, collusion, and submitting an assessment item completed by another person (e.g. contract cheating). It can also include providing your assessment to another entity, such as to a person or website.

You are encouraged to make use of QUT’s learning support services, resources and tools to assure the academic integrity of your assessment. This includes the use of text matching software that may be available to assist with self-assessing your academic integrity as part of the assessment submission process.

Further details of QUT’s approach to academic integrity are outlined in the Academic integrity policy and the Student Code of Conduct. Breaching QUT’s Academic integrity policy is regarded as student misconduct and can lead to the imposition of penalties ranging from a grade reduction to exclusion from QUT.

Requirements to Study

Costs

Pay Subscription to use the Auralia and Musition software.

Resources

Readings and resources deemed necessary by staff will be provided online, via the unit Canvas website.

Required material: A subscription to Auralia and Musition software.

 

Risk Assessment Statement

All students and staff are required to complete the Tier 1 CIF General Health and Safety Induction and Tier 2 KG Studios induction for access to campus buildings and facilities. This must be completed online.

  • Excessive noise in confined spaces can damage hearing. Exposure to such noise should be brief and controlled.
  • Personal injury is possible from incorrectly lifting heavy electronic or acoustic instruments or equipment.
  • The physical demands of playing instruments may cause injuries such as repetitive strain injury. If in doubt consult a physician.
  • The use of electronic instruments and equipment may cause electrocution if handled incorrectly or an electrical fault occurs. Always ensure your equipment has been regularly tested by a qualified electrician.
  • Musical, electrical and computer equipment is prone to failure. Any loss of time for such failures should be accounted for in your planning.
  • Safety of data storage can never be fully guaranteed. You are required to take all steps necessary to ensure continuity of your data.

 

Course Learning Outcomes

This unit is designed to support your development of the following course/study area learning outcomes.

KK34 Bachelor of Fine Arts

  1. Cite and discuss a broad and coherent knowledge of historical and contemporary cultural contexts for creative practice, including the contribution of Aboriginal and Torres Strait Islander knowledges.
    Relates to: ULO1
  2. Identify and demonstrate knowledge of the techniques and concepts underpinning your field of creative practice.
    Relates to: ULO2, ULO3
  3. Demonstrate technical proficiency in at least one area of your field of creative practice.
    Relates to: ULO1, ULO2
  4. Communicate independent learning clearly and coherently in diverse modes relevant to your field of creative practice.
    Relates to: ULO3
  5. Discern, critically analyse and synthesise knowledge in complex creative practice settings.
    Relates to: ULO2